My 10 top songs of the 80’s

10- “Nothin’ But A Good Time,” unleashed by the glam metal force Poison in 1988 from their album Open Up and Say…Ahh!, became an anthem for carefree living. Poison, fronted by Bret Michaels, was a quintessential band of the late 80s hair metal scene, known for their catchy tunes and flamboyant persona. Released during a time of easing Cold War tensions and the Seoul Olympics, while hair metal dominated the airwaves, the song peaked at number 6 on the Billboard Hot 100. While not tied to a specific major movie soundtrack, its spirit often echoes in films and shows set in its era.

9- Warrant’s signature track, “Cherry Pie,” from their 1990 album of the same name, cemented their place in the hair metal landscape. Led by the songwriting of Jani Lane, Warrant blended hard rock with melodic hooks. Released during the reunification of Germany and Nelson Mandela’s release, as grunge began its ascent, the song reached number 10 on the Billboard Hot 100. It famously featured in the movie Wayne’s World, solidifying its pop culture status.

8- The groundbreaking 1986 collaboration “Walk This Way” between hip-hop pioneers Run-DMC and rock legends Aerosmith, appearing on Run-DMC’s Raising Hell (Aerosmith’s original was on 1975’s Toys in the Attic), was a pivotal moment in music history, bridging genres and revitalizing Aerosmith’s career. Released amidst events like the Chernobyl disaster, this fusion track peaked at number 4 on the Billboard Hot 100 and has since appeared in numerous films and television shows, symbolizing cross-genre synergy.

7- Twisted Sister’s defiant anthem, “We’re Not Gonna Take It,” from their 1984 album Stay Hungry, became a rallying cry for teenage frustration and rebellion. Fronted by the unmistakable Dee Snider, the band was known for their theatrical performances and powerful sound. Released during the Los Angeles Olympics and the rise of personal computers, the song reached number 21 on the Billboard Hot 100 and has been memorably featured in movies like Pee-wee’s Big Adventure and School of Rock.

6- Journey’s “Any Way You Want It,” from their 1980 album Departure, showcased their anthemic rock style and soaring vocals, then featuring Gregg Rolie. A staple of the era alongside new wave and disco, released during the Iran hostage crisis and the eruption of Mount St. Helens, the song reached number 23 on the Billboard Hot 100 and has appeared in films such as Caddyshack.

5- Aerosmith’s late-career hit, “Dude (Looks Like A Lady),” from their 1987 album Permanent Vacation, demonstrated their ability to evolve while retaining their signature bluesy hard rock sound. Released during the stock market crash of Black Monday, the song peaked at number 14 on the Billboard Hot 100 and gained further fame through its appearance in the movie Mrs. Doubtfire.

4- Dead or Alive’s energetic new wave hit, “You Spin Me Round (Like a Record),” from their 1984 album Youthquake, propelled the flamboyant Pete Burns and the band to international fame. Released during the Los Angeles Olympics and the height of synth-pop, the song reached number 11 on the Billboard Hot 100 in the US but soared to number one in the UK, becoming a defining sound of the mid-80s and frequently appearing in film and television.

3- Pat Benatar’s powerful rock anthem, “Hit Me With Your Best Shot,” from her 1980 album Crimes of Passion, established her as a formidable female voice in rock. Released during significant global events and amidst diverse musical trends, the song reached number 9 on the Billboard Hot 100 and has been featured in various films depicting confrontation and female empowerment.

2- Bon Jovi’s iconic “Livin’ On A Prayer,” from their breakthrough 1986 album Slippery When Wet, became a global anthem with its relatable lyrics and arena-ready sound. Released during the Chernobyl disaster and the rise of MTV, the song soared to number 1 on the Billboard Hot 100 and, while not tied to one specific movie, its themes of hope and perseverance have made it a frequent choice for soundtracks.

1- Journey’s timeless anthem, “Don’t Stop Believin‘,” from their 1981 album Escape, while initially peaking at number 9 on the Billboard Hot 100, achieved enduring popularity and a resurgence in the 21st century, partly due to its iconic use in the finale of The Sopranos. Released during the wedding of Prince Charles and Lady Diana and the launch of MTV, the song’s message of hope continues to resonate across generations and has cemented its place in popular culture through numerous film and television appearances.


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